He gets someone and is asked “How many survivors?” “One,” he responds. He sits up, sees the T-600 crushed under the chopper (we later see him aim his gun down, like the still that was released, and put a single bullet in the head as the lights go out in its eyes) and try to raise someone on a CB. The first shot was a high shot, looking down at a crashed chopper, with Bale lying on the ground.
#Terminator salvation t 600 full#
This takes place a full 10 years before what we glimpse in T1 and T2 and the machines are in their early stages. The footage played very light… in that the aesthetic isn’t dark like in the flashbacks. If you saved us once in another future, you can save us in this one… conner screaming you son of a bitch as a t-800 hand comes into frame, dragging across his face as he screams. Stepping over terminator… daylight… come with me if you want to live from kyle reece to worthington… primative t800 machine gun, steps on skull - some road stuff looks like road warrior tow truck chase kyle rreeceterminator close up.
Dead terminator, light landscape, sunset. I’m going to run it like I ran my Wolf Man footage coverage… Here’s my typed notes, with the screen completely black as the footage rolled: Then he called Christian Bale’s cell… straight to voicemail and held it up, saying that he made a promise to Bale that if we didn’t cheer loud enough he wasn’t going to show any footage, so everybody screamed for Bale’s voicemail and the footage rolled. He addressed the rating, and said there are only two people who would want the film to be PG-13 and they told him to make the picture and if it’s R-rated, it’s R-rated. In essence… “Please like it and don’t boo me.” Then he said Stan Winston’s designs are all over the movie. He talked about speaking with James Cameron, Arnold Schwarzenegger and the writer is Jonathan Nolan who co-wrote THE DARK KNIGHT.
As crazy and stressful as it was to get into yesterday’s WATCHMEN panel, that was a walk in the park compared to the clusterfuck of clueless security people who did their damndest to let any of the press into the panel, despite being escorted by… you know… the studios who are actually renting the space to show the panel.Īnyway, McG comes out to a stage already dominated by the above T-600 and paraded out names to appease the audience.